Dealing in contemporary art demands agility. Dealing in Old Masters demands endurance. The objects are older than the institutions that sell them, older than the nations that now claim them. Their surfaces carry not only pigment, but centuries of handling, misattribution, restoration, and longing. The market here does not move quickly — but when itContinue reading “Custodians of Time: Twenty Structural Challenges in the Old Master Market and the Discipline Required to Meet Them”